AUDIO MOMENTO

RAMBLINGS OF A WANNABE MUSIC SUPERVISOR

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Pharrell Williams Music Supervisor Of The 84th Academy Awards

Pharrell Williams got the role of music supervisor of the 84th Academy Awards. Pharrel is best known for being a rapper, singer, record producing, and composing. He is also is the lead vocalist and drummer of hip-hop band N.E.R.D. Also Williams partner with Chad Hugo to form the record production groupe The Neptunes.

Williams has produced numerous hit singles for various musicians such as Jay Z, Snoop Dog and Ludacris and acquired  10 nomination and won 3 Grammy’s from those nominations.

Interview with Music Supervisor Greg Debonne

Greg’s credentials can be found on numerous reality showswith networks including MTV, VH1, The Discovery Channel, SPIKE, A&E, Lifetime, BRAVO, to a name a few. As a music supervisor with experience as a composer/arranger in conjunction with session work on production music cues, Debonne also is a well integrated member of the Los Angeles music community. To top it off he has perfect pitch!

‘In the Land of Blood and Honey’ Soundtrack Details

Here’s the album track list:

1. When The Heart Dies (3:59) – Nataša Mirković – De Ro
2. Sables Mouvants (3:15) – Gabriel Yared
3. Towards The Unknown (2:16) – Gabriel Yared
4. The Loss (3:04) – Gabriel Yared
5. Miss Sarajevo (5:44) – Passengers and Luciano Pavarotti
6. Evo Jedne Što Se Svira Na Plaži (Here’s One That Is Sung By The Sea) (2:53) – Bombaj Stampa
7. The Waves (5:11) – Dado Džihan & Waves and Patterns
8. Moja Bozicna (4:14) – Rade Šerbedžija & Miroslav Tadić
9. Zemlja (2:13) – Samir Besirevic
10. Tebi Za Ljubav (3:15) – Radisa Urosevic
11. Stani Draga (3:52) – Almer Imamovic
12. Od Srca (From The Heart) (2:58) – Boban Markovic Orkestar
13. A Wish (3:59) – Dado Džihan & Waves and Patterns

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Q&A - Thomas Golubic (Music Supervisor)

Thomas Golubic is the Music Supervisor for The Killing. In an exclusive interview with AMCtv.com, he talks about his process for selecting music, how he puts himself in the shoes of a character, and why he can’t choose just one favorite musical artist.

Reblogged from bestoriginalscore

bestoriginalscore:

Top 50 Film Scores:

1. The Empire Strikes Back - John Williams

Here it is: my #1 favorite film score. Just as Howard Shore took the music he created for Middle Earth, and expanded it for The Return of the King, Williams does it tenfold by creating a multitude of new motifs and melodies, including “The Imperial March”, Han and Leia’s love theme, Yoda’s theme (all of which can be heard above), a Bespin theme, “The Asteroid Field”, and of course, “The Battle of Hoth”, while still using the original material, close to the hearts of the fans. The score is creative, and full both old and new material from Williams. It is an integral part of the film, and it is impossible for me to imagine the film without it. The music fits every scene, and every cue perfectly. It is an outstanding accomplishment from Williams, and everything that I imagine when I hear Star Wars mentioned. Being a Star Wars fanatic as a child, it only makes sense that the music would stick with me for so long. It has, and likely will forever…and I’m just fine with that.

The Adventures of John Williams, the Composer

Reblogged from writtentomorrow

writtentomorrow:

If it’s Steven Spielberg, it’s John Williams.

As someone who’s been interested in listening to soundtracks from movies - a trait picked up from Rakesh after first listening to soundtracks from Swades (A R Rahman), the journey has come a long way, thanks to buddies like Siva, Rama and more.

John Williams is the Ilayaraja of the West, so to speak. His expanse and orchestral scores are a multi-volume story in themselves. I’ve not been a great fan of his - instead, choosing Hans Zimmer, John Powell and Harry Gregson-Williams as my top picks - but the reverence the man commands through his scores is awesome.

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(Source: writtentomorrow)

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